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East West - KeyGen Package Dieses Packet enth Eastwest Quantum Leap Symphonic Orchestra Gold Version download 25 thoughts on “How to download Eastwest Quantum Leap Symphonic Orchestra Gold For free (+keygen)”. January 2, 2015 at 1:39 am says: Thanks man! Eastwest Quantum Leap Symphonic Orchestra Gold version (DELIRIUM release) (Mac/Win): 4 DVD's incl. East West Quantum Leap - Symphonic Orchestra Platinum Edition (KOMPAKT) OLD . Johnson, the EASTWEST/. East West/Quantum Leap Symphonic Orchestra. It's another multi- DVD orchestral library! Does it merit a thunderous introductory timp roll or a feeble tap on a vibraslap? The goal behind the vast East West/Quantum Leap Symphonic Orchestra library (or EWQLSO to its friends) was to create a 2. This ambitious project was conceived by two American producers, Doug Rogers and Nick Phoenix (respective heads of the East West and Quantum Leap sample library empires) and brought to fruition by Grammy- winning recording engineer Professor Keith O Johnson. Making a library of this quality is not the sort of project you undertake on a spare weekend . For the library to live up to its creators' ideals, it was imperative to find a concert hall with great acoustics, and they seem to have succeeded, although for contractual reasons, the identity of the 2. Recording started in August 2. Summer break to the sampling sessions, and editing the resulting multi- channel recordings lasted nearly another year. The full version of the finished symphonic extravaganza weighs in at around 6. GB (second in size only to the efforts of the Vienna Symphonic Library), and in terms of size and scope alone, must be considered a leading contender for any work requiring orchestral samples. Note, however, that smaller versions of the library are also available for those on a budget (see the final page of this review for more details). EWQLSO is divided into four volumes, Strings, Woodwinds, Brass and Percussion. Each comes in a large box covered in glossy artwork showing (for reasons of confidentiality) a different concert hall from the one used in the library! Inside are the library's 1. DVDs and an A5- sized, 1. The text is well written, and affords Professor Keith O Johnson the chance to give a spirited account of his multi- miking methodology. In short, this is as follows. The orchestra's performances were recorded from three different positions in the concert hall, referred to as 'C' (close), 'F' (full mix, derived from clusters of stage mics) and 'S' (surround, from elevated mics near the back of the hall). All the recordings were made simultaneously from these three positions, creating three stereo versions of each sample. This enables users to adjust the mix of close, stage and hall 'surround' sound to their own taste, and allows the construction of 5. During the recordings, the musicians took up their normal orchestral stage positions (violins and French horns stage right, violas centre stage, double basses and trombones stage left, and so on). The library's presets preserve these placements, so users can build up a full orchestral mix with ease. For further realism, the makers have attached release trails (aka 'release triggers') to the library's presets to show off the sound of the concert hall. These reverb- only samples, which sound only when keys are released, are cleverly programmed to match the level of their corresponding samples, and you can edit their volume, decay and pan settings, or even turn them off altogether! Professional composers chasing deadlines don't have time to wade through countless Gigabytes of material to find the sound they need, so the producers' philosophy regarding performances has been to focus on what they consider the most useful and expressive articulations, with an unashamed bias towards Hollywood film scoring. As a result, there are no sampled licks, chords, mood pieces or full- orchestra tutti effects; instead, the library concentrates on providing users with a wide and expressive range of multisamples. The manual gives a clear and logical (though sometimes cryptic) list of all the variations in playing style, but says nothing about the instruments themselves. |
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